Content that makes
a property impossible
to scroll past.
Cinematic short-form and stills for boutique hotels, resorts, villas, charters, dive shops and island tours. Shot on a Sony A7 IV, a DJI Osmo Pocket 3 and a DJI drone, by one person who concepts, shoots and cuts.
Turks and Caicos, start to finish.
A full production shot on location for a client: concept, camera, drone and the final cut, published on their own channel. Tap for sound.
Client work, published on the client's channel. The full film and the day-in-the-life cut are both on YouTube.
Location and dates in. Firm number back.
The property, the location and the window you are considering. What the assets are for: booking page, socials, OTA listings, paid.
One number covering shoot days, film count, still count and travel. No day-rate arithmetic to do on your side.
Rooms and areas, shoot times around your occupancy, and any brand-standard requirements, signed off with your operations lead before I fly.
Edited verticals, high-res stills and raw clips inside two weeks. Yours to run and to recut every season.
The questions your procurement team asks.
Of 29 hospitality content suppliers surveyed, none stated their usage terms, one mentioned insurance and two stated a turnaround. Here are all four, up front.
Certificate of insurance on request. Named-insured certificates for properties and venues, so your risk team is not the reason a shoot slips.
You keep the asset pack. Organic usage on your site, socials, booking page and OTA listings is included. Paid ad usage is a stated add-on rather than a surprise invoice.
Full pack inside two weeks. A selects gallery lands within 72 hours of the last shoot day so your team can start using stills immediately.
No guest disruption. Unoccupied rooms and public areas outside peak hours, agreed with your operations lead. No guest on camera without a signed release. Drone flown only where local rules allow.
Three shapes. One number each.
The property, the film count and the shoot days move the price, so it is quoted rather than listed. What does not move is what you get, so here is the shape of each.
The refresh
- One shoot day
- 3 edited vertical films
- 15 high-res stills
- Raw clips included
- Organic usage, all your channels
The property film
- Two shoot days
- One day-in-the-life film plus 3 verticals
- 25+ high-res stills
- Aerial coverage where rules allow
- Booking-page stills, cropped for listings
The season pack
- Multi-day, multi-location
- 5+ verticals plus the hero film
- Full stills library
- Paid ad usage included
- Raw bank your team can recut all season
Every package is all-inclusive with travel in the number. Charters, dive shops and tour operators: a seat on a run you are already making works too, and the deliverables are the same. Tell me the operation and the window.
What a full production actually looked like.
- The scope. A property in Turks and Caicos, shot across multiple locations and light conditions.
- The kit. Sony A7 IV for stills and the hero film, DJI Osmo Pocket 3 for native vertical, DJI drone for the establishing aerials.
- The role. Concept, camera, drone and edit. One person on site rather than a crew moving through the property.
- The delivery. A long-form film and a day-in-the-life cut, both published on the client's own channel.
- The point. Everything on this page came from one operator working a real property, not a stock library.
Quick answers.
What does a shoot cost?
It is quoted to scope, because the property, the number of films and the shoot days genuinely change the number, and a rate card would either overcharge a small villa or undercharge a resort. Send the location and the window and a firm all-inclusive number comes back, with travel already in it.
Do you need a comped stay?
No. This is a production service and the quote covers the cost of getting there. If putting me on property genuinely makes the shoot better, because of light windows or early access, we can fold accommodation into the scope as a production line and the number comes down accordingly. That is a logistics decision, not the payment.
Who owns the footage?
You keep the asset pack: edited films, high-res stills and the raw clips. Organic usage across your site, socials, booking page and OTA listings is included. Paid ad usage is a stated add-on so you only pay for it if you actually run ads.
Are you insured, and can you work to our brand standards?
Yes to both. A certificate of insurance is available on request, including named-insured certificates for the property. Send your brand book or the standards you work to and the grade, framing and treatment are matched to it. If you send three images you already use, the grade is matched to those.
Will this disrupt guests?
No. Unoccupied rooms and public areas outside peak hours, agreed with your operations lead in advance. No guest appears on camera without a signed release, and drone work is flown only where local rules allow it.
What if the weather turns?
Shoot days move within the agreed window at no extra cost. Weather is the one variable nobody controls, and pretending otherwise just produces a worse film.
Looking for product content instead?
Hook-first UGC for brands running paid social, with published rates and a 24 to 48 hour first draft.
Send the location and the window. You get a number back.
Tell me the property, where it is, the dates you are considering and what the assets are for. First reply comes back with scope and a firm all-inclusive number, not a questionnaire.
brockpivec@gmail.com · New York City · available worldwide, travel included in the quote